L / Myungsoo (명수) (엘)

Within INFINITE, the group that became one of K-pop's most distinctive acts of the early 2010s, Kim Myung-soo built a parallel identity that extended well beyond the stage. Performing under the name L, he served as the group's visual center — a role that drew as much attention to his work as an actor as to his output in music.

From INFINITE to the Screen

L is a member of INFINITE and its sub-unit INFINITE F, where he is credited as main vocalist, main dancer, and face of the group. The visual designation in K-pop carries specific weight: it marks the member whose image most directly represents the group in promotional materials and public-facing contexts, and L held that position through the group's most commercially active years.

His acting career developed alongside his idol work rather than after it — an approach that remained relatively uncommon among idol-era performers managing group schedules simultaneously. Over time, his screen presence became a distinct strand of his public profile, separate enough that by his own career's later stage, casting news drew attention on its own terms.

Activities

The most recent development in L's career, as of early 2026, involves the remake of the drama Stove League, a project notable enough that a separate idol — described in coverage as "famous" and known publicly for resembling L — was cast in it, with the role framed as a potential turning point in that performer's acting trajectory. The comparison itself speaks to L's continuing reference-point status in Korean entertainment: his look and screen persona remain recognizable enough to serve as a benchmark for casting conversations eight years after his own debut period.

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The available material on L's discography, awards, and solo releases is limited in the provided record, and no chart figures or specific drama titles are sourced here. What the record does establish is a career that moved across music and acting with enough consistency that his name retained currency into the mid-2020s — both on his own terms and as a cultural touchstone for the generation of performers who followed INFINITE's run.