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The Growing Influence of K-POP at Paris and Milan Men's Fashion Week

Hannah Gonzalez [email protected]Jun 25, 2026, 12:00 PM EDT
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ENHYPEN attending PRADA Men's Spring/Summer 2027 Show at Milan Fashion Week / @lessencestudios on X
ENHYPEN attending PRADA Men's Spring/Summer 2027 Show at Milan Fashion Week / @lessencestudios on X

As Milan and Paris Men's Fashion Week continues, K-POP idols have once again become a prominent presence across luxury fashion houses reflecting how idols have become an increasingly important part of luxury brands’ global marketing strategies. While these partnerships continue to benefit both sides commercially, they also raise broader questions about how closely an artist's image can become tied to a fashion house.

This year's Milan and Paris Men's Fashion Week provided another example of the growing relationships between idols and fashion houses. CORTIS attended Fashion Week for the first time, with Martin and James appearing at Saint Laurent while Juhoon, Seunghyeon and Keonho attended Christian Dior alongside BTS' Jimin. ATEEZ members also represented several luxury houses, with Jongho attending Ami Paris, Mingi appearing at Christian Louboutin, and Seonghwa walking in SONGZIO IMPAVIDE's Spring/Summer 2027 runway show, marking his third Fashion Week runway appearance.

Fashion Week is held twice each year across New York, London, Milan and Paris, with separate schedules for womenswear, menswear and Haute Couture collections. In recent years, K-POP idols have become increasingly common attendees, evolving from celebrity guests wearing designer outfits to front-row ambassadors and, in some cases, runway models.

ATEEZ Seonghwa Walking for SONGZIO 2026 and ISABEL MARANT 2025 / @_starhwa_ on Instagram
ATEEZ Seonghwa Walking for SONGZIO 2026 and ISABEL MARANT 2025 / @_starhwa_ on Instagram

The growing presence of K-POP idols at Fashion Week reflects a broader shift in how luxury fashion houses approach celebrity partnerships. Rather than simply recruiting public figures whose image aligns with a brand, fashion houses are increasingly seeking artists capable of introducing their collections to new global audiences.

What once consisted primarily of idols wearing designer outfits on red carpets or attending flagship store events has evolved into long-term ambassador roles, front-row invitations at Fashion Week and, in some cases, runway appearances. Reports indicate that by the end of 2023, more than 30 K-POP idols had become global ambassadors for luxury houses including Dior, Louis Vuitton and Gucci, highlighting how central the industry has become to luxury marketing strategies.

The commercial value of these partnerships has also become increasingly apparent. Following BTS member V's appointment as Cartier ambassador in 2023, a necklace priced at approximately $26,700 reportedly sold out within minutes. Likewise, BTS' Jungkook was reported to have generated more than $7.44 million in Earned Media Value (EMV) through his collaboration with Calvin Klein, illustrating the level of visibility and consumer attention leading K-POP artists can generate for luxury brands.

CORTIS Keonho Juhoon and Seonghyeon at Dior & Martin and James at YSL / @lessencestudios on X and @cortis on Instagram
CORTIS Keonho Juhoon and Seonghyeon at Dior & Martin and James at YSL / @lessencestudios on X and @cortis on Instagram

Rather than simply representing a fashion house, idols have become strategic marketing partners capable of connecting brands with highly engaged global fanbases and younger consumers, making their presence at events such as Milan and Paris Men's Fashion Week an increasingly valuable part of luxury brands' global marketing strategies.

While these partnerships are generally viewed as mutually beneficial, they also raise broader questions about the balance between brand identity and artistic identity. Luxury fashion houses invest heavily in cultivating carefully defined aesthetics and public images, and ambassadors often become closely associated with those identities through campaigns, public appearances and Fashion Week attendance.

As these relationships continue over multiple years, some observers have questioned whether long-term ambassadorships could gradually influence an artist's public image, fashion choices or willingness to explore different styles outside of a brand's established identity. Since the details of ambassador agreements are rarely disclosed, the extent of that influence remains largely unknown, making it difficult to determine where contractual expectations end and an artist's own creative preferences begin.

BTS J-Hope for Louis Vuitton and ATEEZ San for Dolce& Gabbana / @uarmyhope and @choi3an on Instagram
BTS J-Hope for Louis Vuitton and ATEEZ San for Dolce& Gabbana / @uarmyhope and @choi3an on Instagram

On the other hand, some partnerships have also been met with particularly positive reactions from fans, especially when an idol's existing personal style appears to align naturally with a brand's established image. J-Hope's long-term relationship with Louis Vuitton, for example, has frequently been praised by fans, who point to his long-standing interest in fashion and experimental streetwear as qualities that complement the house's creative direction.

Similarly, ATEEZ member San's appearances with Dolce & Gabbana have generated positive discussion online, with many fans commenting that the brand's bold tailoring and dramatic aesthetic closely match his stage persona. While these reactions remain subjective, they suggest that audiences often value ambassadorships that feel like a natural extension of an artist's existing image rather than partnerships that appear purely commercial.

As more idols become regular fixtures at Fashion Week events, luxury partnerships are continuing to evolve beyond traditional endorsement deals. Whether viewed as marketing collaborations, symbols of global influence, or extensions of an artist's public image, these relationships have become an increasingly significant part of K-POP's presence within the fashion industry.

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